![]() I took brief comfort in noting that my movement patterns mimicked those of a subsistence farmer in an agrarian society, but soon felt penned in by the lack of mobility and the rote nature of passing time. I flicked through The New York Times on my phone, rarely reaching the end of an article.Īs the pandemic continued, small changes flickered through my daily experience: a rented office space close by, the return of our nanny. After months of seclusion, resounding political and human exigencies proved that I could shut the world out for only so long. ![]() In late June, following the killing of George Floyd and the ensuing protests, reading felt like a frivolous distraction. When I switched to philosophy to spur my critical reading faculties, my will buckled after barely 40 pages of Nietzsche. I abandoned fiction for history, reading about the birth of modern China, the lead-up to World War I, and the Great Migration, but the allure of the distant past faded quickly. My eyes would dart between words like the fruit flies sussing out the peaches and plums in my kitchen. Momentum gave way to indolence as I watched yet another projected return-to-work date pass. As I tore through my first few quarantine reads, I was already anticipating my next book order, and grateful for the time I now had to do the thing I always wished I had more time to do. Between attending Zoom meetings and laboriously staging morality plays featuring an all-Elmo cast, reading truly was escapism. Frontline workers kept our household equipped as my partner, my daughter, and I negotiated work and play in the relative safety of our Brooklyn apartment. One night, the two novels happened to be stacked on top of each other beside my bed I found myself haunted by the cryptic dispatch of their titles.Īs spring took hold and COVID-19 ravaged the city, a palpable fear of mortality set in. My first batch included Thomas Bernhard’s Extinction and Penelope Fitzgerald’s The Beginning of Spring, works often cited for their distinctive styles of comedy (self-lacerating and wry, respectively). Early in March, as New York City prepared for a shutdown, I felt a sense of adventure in ordering a stockpile of books along with black beans and toilet paper. ![]() Read: The exquisite pain of reading in quarantineīefore accepting that I was no different from everyone else sublimating their ambition into a “quar project,” my reading habits had changed naturally with the phases of the pandemic. What I found was a novel so preoccupied with the minutiae of experience that I had no choice but to reappraise my own. His novel cycle, In Search of Lost Time, also presents the attractive challenge of surmounting a massive text-multiple volumes, stretching between 3,000 and 4,000 pages, depending on the edition-and the subsequent entry into a rare and rather pretentious club of readers. Proust’s work has many qualities that might recommend it for pandemic reading: the author’s concern with the protean nature of time, the transportive exploration of memory and the past, or simply the pleasure of immersing oneself in the richly detailed life of another. My friend’s response shortly thereafter confirmed this: “It’s too early for me to follow this sentence.” Next to me, my 2-year-old daughter slowly guided a spoonful of oatmeal into her mouth, noticing my struggle. It was a photo of a page from Swann’s Way, and it took several attempts for me to capture the near-page-length sentence in its entirety. One morning a few weeks ago, I sent my friend a Proust text.
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